Photos: Lecture on Pangasinan culture & poetry at Ortigas Library Foundation



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Makata Issue No.10 is now available online featuring the poetry (in English, Tagalog, and Bikol) of our in-house and new poets Leo Fernandez Almero, Ana Ablaza Baluyut, Danny P. Barbare, Srinjay Chakravarti, Jose Jason L. Chancoco, Kristian S. Cordero, Lee de Guzman, Rosendo M. Makabali, Tony Mercado Peña, Alexander Martin Remollino, Bill Mitsuru T. Shimizu, Keli Stafford, and Nick Zegarac . Also included in this issue the literary column (in Bikol language) Vers Libre by Jose Jason L. Chancoco and Civil War! (Vox Pangasinense) by Fred Natividad. Kanit (anlong kabayaoasan) sakey a kabuasan mamaspasiar si kanit ed paritpit kapetek to'd mapalion a sukal atertera'y linaew say kuan ton manetetel agi! agay laya'y Linaew ay pinuter to'y salik! alioan siak! kuanen Linaew si Agew ta tutunaoen to ak! agi! agay laya'y Agew ay tutunaoen to'y Linaew kanian si Linaew pinuter to'y salik! alioan siak! kuanen Agew si Lurem ta sasanibsani...
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About | Santiago Villafania

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Santiago Villafania is a bilingual Filipino poet who writes in English and in his native language of Pangasinan. Born in Tuliao, Sta. Barbara, Pangasinan on 31 January 1971, Villafania graduated with a degree of Bachelor of Arts in English from the University of Pangasinan in 1991. Villafania advocates for the resurgence of Pangasinan as a literary language. His works in the vernacular are some of the most representative, if not among the few that comprise that Pangasinan contemporary literary body. In his first book Balikas na Caboloan (Verses from Caboloan), the Pangasinan anlong resurfaces asserting its tradition amidst intersecting and pollinating genres and literary influences. His book of poems, Malagilion: Sonnets tan Villanelles , is an attempt to open the propylaea of literary renaissance in Pangasinan. This second book by Pangasinan’s leading poet today is impressive in both form and substance. Villafania has created 300 sonnets and 50 villanelles in his own language that a...
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